exhibitions, audiovisual and interactives

The Imaginary of the Apocalypse through mixed media works from the Middle Ages to the contemporary era.

Including some of the most prestigious manuscripts of the Apocalypse of John, engravings by Dürer, tapestries from Angers,
as well as numerous paintings, sculptures, photographs, film excerpts, from the collections
of the Library and many other collections such
as those of the Centre Pompidou, the Musée d’Orsay, the British Museum, Tate Britain, etc.

Team

Client
BnF, Bibliothèque nationale
de France

Graphic design
Aurélie Gasche,
Isal Bayle

Scenography
Scènografià
Valentina Dodi
Nicolas Groult,
Léonard Faugeron,
Suzon Auber

Lights
ACL (Alexis Coussement, Élodie Salatko, Sébastien Audevie)

General curatorship
Jeanne Brun
with Pauline Créteur

Curatorship
François Angelier,
Charlotte Denoël
Lucie Mailland

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In autumn 2024, the Château de Fontainebleau highlights the work of Jean-Baptiste Oudry, famous for his depictions of King Louis XV’s hunts and his animal portraits. Paintings, editions, porcelain pieces, drawings, clothes and tapestries will plunge the visitors into the world of hunting, the king’s favourite activity, which he wanted
to capture by commissioning a series of tapestries. For the first time, this exhibition presents side
by side Oudry’s original cartoons, four of which have recently been restored, and the preparatory drawings and tapestries for which they served
as models.

Team

Design graphique:
Isal Bayle avec l’aide
de Ruheng Wang

Commanditaire:
RMN – Château
de Fontainebleau

Scénographie:
Flavio Bonuccelli,
Laurie Décarre

Lumières:
Raymond Belle

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Graphic design and signage for the Musée d’Orsay exhibition marking the bicentenary of
Rosa Bonheur’s birth, showcasing her paintings, drawings, and sculptures.

Special features were developed for young audiences. In addition to dedicated labels,
an educational space was created at the heart
of the exhibition, offering various learning tools and interactive displays.

Team

Client:
Musée d’Orsay

Graphic Design:
Aurélie Gasche,
Isal Bayle

Scenography:
Agence NC

Light:
Gélatic,
Henri Leutner

Exhibition curatorship:
Sophie Barthélémy,
Sandra Buratti-Hasan,
Leïla Jarbouai

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Graphic design and signage of the exhibition.

Presented at the Nantes Museum of Arts, the exhibition “Le Voyage en train” highlights artists who, since the 19th century, have created works
of art echoing the he rise of the railway,
a technological invention which profoundly modified the perception of time and space.

Team

Graphic design, signage:
Benjamin Gomez

Scenography:
Scènografià

Client:
Musée d’arts de Nantes

Exhibition curatorship:
Sophie Lévy,
Jean-Rémi Touzet

Location:
Nantes

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Design of the visual identity, graphic design, audiovisual and multimedia supports for the exhibition.

From May 27, 2021 to January 30, 2022, the EDF Group Foundation presents Fake News: Art, Fiction, Lies, a first-of-its-kind exhibition in France featuring works by French and international artists who alert and question the proliferation of false information in our hyperconnected world while challenging our critical minds.

Curated by Laurence Lamy, General Delegate of the Foundation, this exhibition offers an artistic and educational stroll between reality, interpretation and perception to understand and decipher the mechanics of false information.

Team

Graphic design, signage:
Benjamin Gomez

Scenography:
Vincent Tordjman

Client:
Fondation EDF

Head of Exhibitions and Collections:
Catherine Jaffeux

Collective exhibition curatorship:
Laurence Lamy

Location:
Paris

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Exibition at Palais des Beaux-Arts de Lille, from the 20th of September 2019, to the 06th of January 2020.

From Albrecht Dürer to Marina Abramovic, including Jacques-Louis David, Edouard Manet, Frida Khalo, Jeff Koons and Pilar Albarracín, this exhibition tells the story of the artist’s myth.

To expose this story, we designed the walls of the exhibition as pages of a book in which works of art have taken their place.

Team

Graphic design, signage:
Benjamin Gomez

Scenography : 
Scenografia Conception

Light: Gélatic

Client:
RMN-Grand Palais

Exhibition curatorship:
Bruno Girveau, Régis Cotentin, Delphine Rousseau

Coordination:
Camille Palopoli

Location: 
Palais des Beaux-Arts de Lille

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Audiovisual and interactive creation of multimedia devices.

Team

Audiovisual and mutimedia:
Vadim Bernard et Isal Bayle

Scenography:
Expositif, Pascal Payeur et Sylvie Jausserand

Client:
Principauté de Monaco

Lieu:
Monaco

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Design and production of all audiovisual
and interactive programs in the museum
called MusX, showing and explaining more
than two centuries of scientific discoveries.

Team

Client:
MusX, École Polytechnique’s Museum


Direction, design and production of audiovisual and interactive programs:
Vadim Bernard,
Benjamin Gomez,
Isal Bayle,
Aurélie Gasche

Interactive Design:
2Roqs
3D Modeling:
Aby Batti
Unity Design:
Ferdinand Dervieux
Shooting:
Année Zéro


Exhibition curatorship:
Frédéric Brechenmacher
with the contribution
of the resource centre
of École Polytechnique

Paolo Brenni, historian
of scientific instruments
at Galileo Museum

Architect:
Stéphanie Champ-Lavarec

Museography:
Altermuseo

Scenography:
Edith Clavel,
Nadège Grosbois

Signage:
Gérard Plénacoste

Lights:
Thomas Costerg

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Graphic design of the exhibition “Aviation: the splendours of Art déco take flight” Palace of decorative arts of Saint-Quentin, Picardie.

1^st December 2018 – 31 March 2019.

Team

Graphic design, signage:
Aurélie Gasche, Isal Bayle

Scenography:
Sylvain Roca, Julia Dessirier

Exhibition curatorship:
Emmanuel Bréon,
Conservateur en chef à la Cité de l’Architecture et du Patrimoine de Paris. Victorien Georges, Directeur du Patrimoine de la Ville de Saint-Quentin.

Location:
Ville de Saint-Quentin

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Design and production of the audiovisual and interactive contents of the permanent exhibition of the Grande Galerie of the Air and Space Museum. The north aisle is dedicated to the pioneers, the south aisle to the First World War.

Team

Design and production
of the audiovisual and interactive:
Vadim Bernard,
Benjamin Gomez,
Isal Bayle

Interactive design with
2Roqs

Exhibition curatorship:
Clémence Raynaud,
Laurent Rabier

Scenography:
Scénografiá

Location:
Le Bourget

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This exhibition presented a free exhibition that allowed an exploration or the rediscovery of important archaeological sites that are now inaccessible: Bamiyan, Khorsabad, Palmyra, the Umayyad Mosque in Damascus and Perak Castle, Universal Heritage sites that are now specifically under threat from conflicts in Afghanistan and the Middle East…

This exhibition was organised by Réunion des Musées Nationaux – Grand Palais and the Musée du Louvre, in collaboration with Iconem.

Team

Graphic design, signage:
Vadim Bernard, Benjamin Gomez

Scenography:
Sylvain Roca et Nicolas Groult

Exhibition curatorship:
Jean-Luc Martinez, président-directeur du musée du Louvre, Marielle Pic et Yannick Lintz, musée du Louvre

Light:
Gelatic

Exhibition organisée hosted by la Réunion des musées nationaux – Grand Palais and le Musée du Louvre, with Iconem

Location:
Paris

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This exhibition organized by the Academy
of the Kingdom of Morocco in partnership with
the Arab World Institute (IMA), the Ministry
of Culture and Communication and the National Foundation of Museums (FNM) was deployed
on three sites in Rabat: the Mohammed VI Museum and the Bab El Kébir and Bab Rouah galleries.

Initially conceived for the Arab World Institute
in 2016, we have re-imagined a graphic and animated design adapted to the Moroccan capital, in particular through trilingual or quadrilingual media: Arabic, Amazigh, French, and English.

Team

Client:
Académie du Royaume
du Maroc

Graphic design:
Aurélie Gasche,
Isal Bayle,
Vadim Bernard

Scenography:
Scenografia 

Lights:
Gélatic

Institutions:
Ministère de la culture,
de la jeunesse et des sports
Fondation nationale
des musées Institut du
monde arabe

Exhibition curatorship:
Institut du monde arabe,
Aurélie Clémente-Ruiz,
Nala Aloudat,
Hanna Boghanim,
Juliette Bouveresse,
Elise Kapamadjian,
Laurine Célarier

Location: Rabat, Maroc

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Graphic and Digital Design of the exhibition. From Dakar to Zanzibar, and from Timbuktu to Harar, the Arab World Institute (Institut du monde arabe) has highlighted African communities that have benefited from thirteen centuries of spiritual and cultural exchange with the Maghrib and the Middle East. Focusing on archaeology, architecture, immaterial heritage, and contemporary art, this exhibition brought together around 300 multidisciplinary works in an exhibition space of 1,100 m2 in order to highlight the cultural and artistic richness of the Islamic communities in sub-Saharan Africa.

In 2019, the exhibition took place at Musée Mohammed VI d’art moderne et contemporain, Rabat – Morocco

Team

Client:
Institut du monde arabe

Graphic design:
Aurélie Gasche
Vadim Bernard
Hadja-Saran Condé
Antoine Presles

Scenography:
Nicolas Groult, 
Valentina Dodi,
Sylvain Roca

Lights:
Gelatic

Exhibition curatorship:
Institut du monde arabe
Nala Aloudat
Hanna Boghanim

Production:
Laurine Célarier

Exhibitions Department
of Institut du monde arabe:
Aurélie Clemente-Ruiz
Elodie Bouffard

Location:
Institut du monde arabe, Paris

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Guidelines for the exhibition “Laboratory of Europe, Strasbourg 1880–1930”.

The visual identity was spread for the Museum Of Modern And Contemporary Art, the Zoological Museum, Heitz Gallery and the Museum of Fine Arts.

Team

Clients:
Musée d’Art Moderne et contemporain de Strasbourg,
Musée zoologique,
Galerie Heitz,
Musée des Beaux-Arts

Graphic design, signage:
Aurélie Gasche avec l’aide d’Anthony Vernerey

Scenography:
Studio Adeline Rispal,
Adeline Rispal,
Margaux Geib Lapinte

Light:
Licht kunst Licht

General exhibition curatorship:
Roland Recht,
Joëlle Pijaudier-Cabot

Location:
Strasbourg

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For the third consecutive year, we have been commissioned by the Cinémathèque française, Cannes Cinéma and the city of Cannes to create the visual design for the communication and the exhibition about Sergio Leone. It has been presented during summer 2019 in Cannes.

Team

Clients:
City of Cannes, French Cinémathèque

Graphic design, signage:
Aurélie Gasche, Isal Bayle

Scenography:
Sylvain Roca, Julia Dessirier 

Light: Reflet

Exhibition curatorship:
Gian Luca Farinelli avec Antonio Bigini et Rosaria Gioia assistés de Matthieu Orléan

Project managment:
Ville de Cannes
Maud Boissac,
Nathalie Boyera,

Production managment / Cinémathèque française:
Prune Blachère, Agathe Moroval, Marie Naudin

Location:
Palais des festivals, Cannes

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Graphic Design of the Exhibition and Communication. Georges Méliès, a draughtsman, painter, caricaturist, magician, phantasmagorian, manager of the Robert-Houdin Theatre, set designer, man of the theatre, writer, actor, technician and a visionary film director made over 500 films between 1896 and 1912.

The exhibition Georges Méliès, Magician
of Cinema, conceived and produced by
the Cinémathèque Française, presented original objects, fac-similés and, almost an hour
of sequences, including the famous film
“A Trip to the Moon” from 1902.

Team

Clients:
ville de Cannes
– Cinémathèque française

Graphic design:
Aurélie Gasche

Scenography:
Sylvain Roca

Exhibition curatorship:
Cinémathèque française,
Laurent Mannoni

With the city of Cannes:
Maud Boissac,
Nathalie Boyera,
Frédérique Citera-Bullot

And Cannes Cinéma:
Aurélie Ferrier

Location:
Palais des festivals, Cannes

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